Poetry

Matthew Bass


Matthew Bass

Matthew Bass, 6 june 2012

Alone In A Train Station





I fell into the concrete 
when you turned your head 
at a harsh inward angle, 
and replied 
without passion. 
I imploded 
into a cubist painting 
when I saw your hand 
move toward mine, 
until you became aware 
and pulled it back 
into your abdomen. 

In that moment I died... 
but not really. 

I screamed! 
"I love you" 
"I love you" 
"I love you" 
too loud 
for you 
to ever 
hear. 

...in that moment 
I saw the train 
leave the station 
with you on it, and 

I knew I did not ever 
really love you.




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Matthew Bass

Matthew Bass, 6 june 2012

Machine Gun Victims





The intersection 
of a third world market: 
An insurgent, and old man 
a woman, or a child 
broken under dawn; 
sloppy pools of 
bone and flesh. 
What they never saw 
will never see again 
under the terrible 
orange sun. 
  
  
And the machine guns 
continue to laugh 
day after day 
year after year, 
like background noise.




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Matthew Bass

Matthew Bass, 4 june 2012

Jorge´s Machete: Revisited





His rusty Machete gleams in the moonlight   
over the scared scrawny head of Daniel   
painting pictures of drunk tourists   
and old buildings on the stone-lettered streets,   
                                       he is Jorge   
and he has a machete, but he also has   
a thick scarred Cuban accent.   
  
Pablo, dirty and unwashed: watches with exitement   
the pretty girls tripping over their heels   
because even he knows those vulgar pick-up lines   
are more charming on Fridays than on Mondays, next   
to Gustavo chain-smoking like a stinking addict   one cigarette   
after the other between alien yellow fingertips.  And   
he complains like a man happy with unhappiness; about Spain,   
about Argentina, about women, but never about the French.   
  
A Danish boy who makes old ladies blush and sings newborns   
to sleep, returns from Lavapies speaking in utopian tones   
about French strawberry fields.  Black women who endured   
Rape in the Sahara   to be raped by something worse   
taunt English boys dazed by their own spinning stone-lettered heads amongst petty dealers in knock-off leather jackets.   
                          I immersed, laugh at everyone   
while the pretty Danish boy practices Bob Dylan poses   
in the reflection of a water puddle, and the Chinese work harder   
under the noses of the Conspicuous with back packs full of beer.   
  
Soon though, this will pass and dawn will awaken cold reality scattering us as old ladies take in the laundry and humanity   
moves on with drowsy hangovers.  Our pockets will be empty.   
  
                           
  
                      "Go back from whence we came"   
  
           Come morning doors will only be locked when we   
need a place to sleep.  "They will not have the answers we seek".   
  
            and   
                 "El Dorado is only a mirage of the Sun´s rays".




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Matthew Bass

Matthew Bass, 4 june 2012

Stagnant Water Blues





The first drag sends you to space   
in the fog of cherry red light bulbs   
inside large windows of the meat market.   
Like a child, beckoned by the perfume   
of window taps: imagining what each one   
will feel like when you penetrate them   
as you count your money.   
  
After she kisses you good-bye   
you´ll fall into the stagnant water   
of a dirty canal that rusts   
white row boats bottom up,   
and for the first time you open   
your eyes wide closed.   
  
The second drag hugs you   
with gabled arms.  Its   
so hard! to speak when   
your abdomen vibrates   
and your throat burns   
more and more and-   
more.  Every breath   
a waterfall.   
  
The third drag is a tall dark bartender   
who expects a pick-up line you´ll never give   
as old men stop in for a morning pick-me-up.   
The third drag reminds Englishmen   
they once ruled the world   
with their pants around their ankles   
and hot dogs in their mouths,   
as well as everyone else.   
  
The fourth drag brings you back   
to a cup of Morroccan tea underneath   
an unknown blanket.




number of comments: 0 | rating: 3 | detail

Matthew Bass

Matthew Bass, 22 may 2012

Farewell Spain: Preamble To The Exit





Bright luminous yellow circles 
line a street on a small Malasaña hill 
and the light reflects off 
uneven puddles in the cracks. 
  
"Life is a painting without us in the way 
finishing another guilt ridden cigarette", 
without the wild laughs at jokes 
that are not funny, 
without the wild laughs at stories 
that are not that interesting, 
without the glasses of red wine 
spinning from the head to the stomach. 
Without the dread of returning to the corner of the bar 
watching with an extra pair of eyes the nonsense 
of self-absorbed stimulus monkeys 
positioning for social status 
sex, or to forget their unintentionally normal lives 
decieved by all too obvious verbs: 
  
I am 
I want 
I need 
I have. 
I dread the spectacled reruns 
of lifeless tortured dependencies 
valuing small reoccuring moments 
marked by headaches and forgotten memories 
that was the night before. 
  
I have been pushed to the edge of sane insanity 
by one too many matter of fact pieces of advice 
into the arms of pure love that I cannot hold fast enough, 
and light heart to the carry the burden on a pair of shoulders 
that needs nothing more than a sturdy pack 
and a good pair of walking shoes 
to carry me from 
acid trips in the mountiains 
to 
the sweat lodges and poetry clubs of St. Louis 
to 
the the streets of Manhattan. 
  
To an old man who refuses to go quietly in this night 
and to 
the the God-like wisdom of a Five-year old.






number of comments: 0 | rating: 1 | detail

Matthew Bass

Matthew Bass, 22 may 2012

Cook County Juvenile detention center

The black and Brown kids locked in tiny pods 
banged their fists and penises against the plexiglass 
                "I´m gonna get outta here 
                 and rape yo whole family" 
  
and the white stooges just called them animals 
while they counted crisp bills to be spent 
on county board meetings in Hawaii, 
  
          and those poor kids wasted 
in a catch-22 without knowing 
nor caring to understand 
           the horrible game 
they´d been forced to play 
  
pretending not to think 
about their 16th birthdays. 
  
  
  
Sometimes rumors would filter back 
     "so and so was raped" 
     "so and so is in the hospital" 
  
"so and so is gettin off cos evidence 
     is circumstantial" 
  
Most never left their blocks, 
trains through other hoods 
were gauntlets 
and   
there were 12 hour days on the corner. 
  
They were handed pieces with promises 
that a couple years in juvi 
"wad´nt shit"; 
14 year olds don´t get tried 
as adults. 
  
  
  
Close to their 16th Birthdays 
they now scream like animals 
pretending not to think about 
what happens to boys to young to shave, 
and how many cigarettes a human being is worth.
 


number of comments: 0 | rating: 3 | detail

Matthew Bass

Matthew Bass, 22 may 2012

What No Longer Haunts Me





What no longer haunts me are: 
the shrills of munitions 
dropped onto a suspecting city 
night after night, cold defilades 
on a desolate highway, and 
the smell of rotten air. 
  
What no longer haunts me are: 
the caved skulls of mother´s sons 
no different from me, and the dead 
torn apart in the pink mist 
they never asked for. 
  
What no longer haunts me are: 
feelings beyond hate; emptiness, 
because if we could not put a bullet 
in someone´s head those pretty ribbons 
meant nothing. 
                                 -That man passed away years sgo 
the day he found the courage to politely say "no more" 
and learned it is better to reach out your hand 
and never let go.






number of comments: 1 | rating: 2 | detail

Matthew Bass

Matthew Bass, 22 may 2012

Inventing New Ways To Dance





I cannot help but be reminded of rising dawns 
in the rythm of ridiculous dancing in the perpetual state of wonder 
of 80´s pop music played on the English radio station. 
The air is still abound with the pheromones emanating 
from soft South-Asian skin in a surrogate home 
that has long since moved on. 
  
Perfect cheek bones smile better than others 
who dare question the human condition 
and perfect cheek bones shatter granite 
with the upmost frailty against passive serfdom. 
  
Zion is fucked, but not us for we do not play stupid games 
that end up lost in trees because idiots spend too long 
admiring the forest, and your slight Jersey accent 
speaks louder than the so-called profound 
who place their weight on your shoulders 
I wish I could put on mine, though I can 
barely breathe. 
  
A crazy old poet reminded me 
attachment is not love, so 
I´m learning to love you 
the way you need me to, 
but attachment is sincere 
and the farther I am from you 
the more important you become.






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Matthew Bass

Matthew Bass, 22 may 2012

Thoughts On Nothing(Important) April 29 12:35 A:M





I woke up three days ago: 
with thousands of- 
                  -wristshaking words 
  
that made nosense at!  all 
And the boat was going topside 
with the water seeping through 
the white-painted wood looking 
blue and beautiful in the balmy sunrise 
as the wine tasted better than usual. 
  
                              ,Humming 
"I hope I don´t fall in love with you" 
put a smile on my daydream, then 
                           it 
                       made 
                     me 
                 feel 
                     stupid, with all of 
the possibilities of falling in love 
at first sight twice with you; 
which is more realistic(and optimistic) 
than most concepts said to be real 
by so-called inquired minds. 
  
I thought about the non-justifications 
to justify the unjustifiable used to supress 
curse words sex and pointing out the obvious 
somewhere in the semantics that go into 
self-degradation.  I thought about the trials 
that quickened my spirit on the open ocean 
to blissful alienation. 
  
The thousands of blank words still 
stared back at me, but they didn´t 
need to make sense anymore. 
The boat was just a lucid metaphor 
to drop the scull in the plunge forward 
associated with the inability to live.






number of comments: 0 | rating: 1 | detail

Matthew Bass

Matthew Bass, 24 march 2012

On America





Just like my father     
you are broken: the eggs     
are melted, the scrambled ham     
is rotten, and the steak     
is mostly corn.     
      
John Wayne died on the farm     
seeing that everyone was     
hanged by the judge,     
his bravado drawing     
a clear line in the East River     
against the "injuns" in the sky.     
Now, his cowboy hat and Colt .45     
are trampled carictures     
on the playground.     
      
The purple fabric of your mountains     
regally outsourced to oriental     
shoddy workmanship chronically     
bleeds in the acid rain,     
eating at the decaying landscape of     
crumbling bridges, communities     
ravaged by renewal,and those     
neatly rowed suburbs.     
      
It competes for the love of Jesus     
concealed in weapons permits     
with the 2012 nativity/Santa-Rudolph The Reindeer     
Light Show Extraveganza     
for a spot on the list     
behind Senators and Bankers.     
      
God has given up     
on the souls who call for him     
the most, who plead     
to make things right     
but     
even he knows     
the message has been lost in translation.     
      
Fight! you great rabid eagle:      
your life source, your men and women     
abandon you in search of the American Dream     
that have fallen like grains of sand     
on your majestic beaches through     
loopholes twisted in supply-side slippery slopes,     
refusing to let go like an abusive preacher     
late on a mortgage payment,     
insiting that he will not unfasten his hands from the neck     
out of pure love for the wool of his flock.     
      
For     
we are numb                and                   cannot afford     
                                                 shiny obesity.




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